Nerdly shut down last month due to some Google Adsense bobbins that is far too dumb and arbitrary to go into here. Short version is…don’t feature pictures from gory horror movies on your horror/genre blog, I guess?
The first review I wrote for them was a review of Warren Ellis’ novel Gun Machine. The last was a piece on the Criterion edition of It Happened One Night. Technically I started writing for the site in 2009 when it was Blogomatic 3000, but I don’t have access to the archives so you’ll just have to use your imagination until I get my hands on those old (maybe terrible?) pieces.
I’m considering starting a side-blog exclusively for my writing on film. This place has been cluttered with stray notions and cobwebs for a while now, and I might even be able to maintain something with a single focus far better than this brain dump.
[Though, of course, now I’ve mentioned that it may be doomed never to happen.]
In the meantime, like any good scavenger I went looking for other places to ply my wares and found Flickering Myth, where I’m doing comic and movie reviews for the foreseeable future.
So far I’ve covered new issues of East of West, Cry Havoc, the brutal finale of Plutona and the promising first installment of conspiracy thriller Throwaways. The pay is peanuts and I know that “hey, free comics and movies isn’t a bad deal” is a chump’s line, but deadlines keep me working and – for now – it’s far better than not writing.
In other news, my dad died two months ago today. I wrote something about that on Medium; grief and learning and realising he was probably not the man he presented to me for 25 years.
I turned 26 two weeks ago. I just connected those dots and realised I’m now in a post-dad era. Numerically speaking, anyway. Well, I had him for a quarter century. My guess is that people who get a hundred years tell you it’s still not enough time.
Speaking of time constraints, I and my friends Dave & Alice went on a [THOUGHT BUBBLES] hiatus almost a year ago. Yesterday our first new episode since September 2015 went live, and it’s a doozy. This one’s a departure in many ways that I’ll go into in a later post, but I’m pretty thrilled with how it turned out (but mostly just that we’re making these things again. I’d recommend short bursts of creation to absolutely everyone) so yeah, go and watch it.
Alice, the musical side of the project, creates beautiful, dreamy synth pop under the name Mayshe-Mayshe. You can listen to one of her tracks above. I’m biased but I think Alice is great; she’s putting out two EPs and going on tour in the next couple of months so you’ll have plenty of chances to judge for yourself.
I’m going to update this blog more frequently. I know I say that every time and then you don’t hear from me for three months but I’m trying out this whole “discipline” thing and I think it might stick.
Oh, and my country’s about to collapse under the weight of its own apathy and xenophobia, the economy’s in freefall and the British political arena is looking more and more like Thunderdome every day.
Plus I’m quitting my job and leaving my flat within the span of two days in August so I might have some spare time on my hands. Gulp.