I’d really love to write a longer post about this (and probably will), including interviews with the various people involved in this episode since its conception years ago, but right now it’s somewhat more prudent to just get the thing in front of your eyes. Not a part of the original Season 2 line-up (which is a whole other story altogether; in fact, the fidgety, dysfunctional nature of I Am Tim as its own entity would make a great post all on its own), this “very special” episode of Tim likely exists in a slightly different universe to that of the series for the cast and crew most familiar with it due to the many attempts to figure out the right approach and its fluid, increasingly mythical status as…well, not so much “unfilmable” as “filmable when we get around to it”.
Hell, you should just watch the damn thing before I waffle on too much. Part Battle Royale, part Running Man and all nonsense, here’s Dawn of the Reds:
And there you have it. Since my fingers are flying and I haven’t posted much of anything in almost a week, I might as well carry on while there’s still gas in the tank.
This is an odd episode to think about having a hand in, especially since it existed in some form or another (like the bulk of Tim which I’m anachronistically credited in) about two years before I had even met creator Jamie McKeller. This is an educated guess so take it with a pinch of salt (and am happy to be corrected by anyone with the pertinent info) but I believe the first draft/outline of DotR came about in 2010, around the time when Season 1 was being made on no budget by a crew of two who (by Jamie’s own confession) had no idea what they were doing. I met Jamie in late 2011 on the set of the yet-to-be-released microbudget feature Nothing Man,
in which he was appearing and showing bits of Season 2 to the cast and crew during lunch breaks.
The rest is nostalgia fodder for some other time, but by spring 2013 I was writing Season 3 with Jamie & James, and Dawn was still a seldom-whispered notion to me and a twinkle in Jamie’s eye. I couldn’t tell you exactly how many drafts there had been before I was asked to have a crack at the script, but it’s not modesty that leads me to say that what I received was pretty damn close to the finished product, and most definitely an object of McKeller’s invention. Mostly I just added some jokes, trimmed some dialogue and tried to sprinkle some added character depth here and there, so I wouldn’t have been surprised or hurt if I ultimately got an “additional material” credit or even just a “special thanks”, but Jamie’s a generous guy.
I’ve occasionally beaten myself up for not trying to overhaul the script in order to make it as good as it could have possibly been, but to do that would have been to alter its essence and turn it into something not inherently I Am Tim (especially with the ideas I had and still have for new episodes…), and that would have been a mistake.
It seems odd to talk about the “essence” of a Youtube video in which young people in uniform try to dig bombs out of each others’ scalps and the most heartfelt line reading comes from a mass-murderer who really wants a Twix, but when you spend a while with this stuff you kind of get attached to it. Which is in itself weird because I almost feel like as much of an audience member as anyone else, despite having a not in/significant (delete as appropriate) hand in its creation, and yet I can’t watch the episode with any kind of objective eye.
I suspect that’s a similar feeling for a few people who’ve been involved with Tim generally and DotR specifically over the years, who wonder how much their contribution mattered in the long run, if at all. I’m kind of an optimist in that regard, insofar as that a Dawn of the Reds made four years ago would probably have been a far inferior product, for countless reasons.
It occurs to me that I’ve been talking about appropriate credit this whole time despite there not actually being a credits list for this episode yet, at least not on the credits page of the I Am Tim site where they live (there are never credits on an episode of Tim, in keeping with its mockumentary nature), as it’s been due for an update since episode 2.10.
[Not that I’m suggesting anyone needs to buck their ideas up and GIVE ME A DAMN WRITING CREDIT ALREADY.]
So I could be way off. Maybe everyone who’s ever suggested a fun death scene or supportively asked, “So how’s that Dawn of the Reds thingy going?” might end up getting a healthy mention. Not that the inclusion of something like that would change or legitimise their involvement in any way. I mean, does anyone beside me actually read the credits of web series anyway?
I thought not. Anyway, all this has made me think of a quote attributed to Harry S. Truman: “It is amazing what you can accomplish if you do not care who gets the credit.” I’ve applied it to projects I’ve been on and think it’s a pretty pragmatic mantra for anyone wanting to get into the screenwriting business, but it’s especially pertinent when talking about no-budget productions and web series, in which the chief satisfaction comes from actually having made something, rather than having someone know you made something.