Monthly Archives: July 2015

Whitewashed Films & White Guilt

(via)

I’ve been terrible at blogging lately. I aim to rectify this, starting now. A good number of people have followed this blog after viewing the [THOUGHT BUBBLES] site, and I feel a mounting sense of guilt with each new cheery notification.

So as both catch-up and potted introduction to how things work around here, I present you with some reviews I’ve written for Nerdly in July:

Mission: Impossible – Rogue Nation

If there’s anything that connects the Mission: Impossible films in my head, it’s that I consistently come out of each new installment wondering what the hell happened.

The Gallows

Despite his main function being to pretend to carry a camera around, Ryan voices his unwanted and abrasive opinions at every possible opportunity, from telling the lead actress Pfeifer that his best bud Reese (her opposite number and, incidentally, terrible) has the hots for her to talking to himself about how much he hates acting. I’m not sure if we’re supposed to want Ryan to eat it immediately, but a scene in which he prangs a stereotypical drama nerd with a football cemented my desire to see him strung up IF ONLY JUST TO MAKE HIM STOP TALKING PLEASE JUST STOP

Ant-Man

Another Marvel movie, another bad – and bald – industrialist trying to weaponize something cool. They have their formula and they’re sticking with it, but that doesn’t mean they can’t play with their  own tropes. After the first forty-five minutes of exposition Lang is finally given the Ant-Man suit and discovers (along with the film) a whole new world of possibilities. Instead of being seen as an unreliable crook with a lot of potential but no options, Scott chooses to disappear altogether, becoming a catalyst for Hank and Hope’s damaged relationship to repair itself and learning how to be a hero – through a series of training montages, natch. Rudd’s character arc is nicely underplayed if somewhat baffling; he goes from being unable to make a fellow prisoner flinch to taking down an Avenger in a scant hour, but the lead is so much damn fun to be with it’s easy to forgive most of the film’s minor flaws.

There are a couple of other reviews in the pipeline – I saw Pixels the other day and British council-flat horror Containment last night – and I’m literally just now seeing that the summer of 2015 promises to be the blandest yet in terms of blockbuster fare. Though if those are the only kinds of movie you’re seeing I don’t have a whole load of sympathy. That’s like having McDonald’s three meals a day.

Ah well. At least Dear White People finally got released in the UK:

If you’re in London or near a Picturehouse that’s showing DWP, I would urge you to see it. The film’s not as incisive as I would have hoped, and there’s a real lack of punch to its ending, but it’s a gorgeous, mostly-honest piece of entertainment that’s actually about something. And, if you’re white, makes you realise just how racist you might be.

And you know how much I like punishing myself, right?

More soon. You’re the best.

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